LINDA C. WISNIEWSKI

Category: writers

• Only You Can Tell Your Story

  Posted at 10:59 am by lindawis, on February 15, 2021

  

  

  The Covid 19 pandemic has changed lives all over the world, and we cope in different ways. Often, we look for distraction from it. But I’m a big believer in the saying, “The only way out is through.” The isolation, lack of hugs from best friends, missing restaurant meals and movie theaters, takes a toll on our mental health. And the stories of heroism and love give us strength to carry on. You see, I believe it’s all about stories. Our history is our stories, and the stories of ordinary people are most important of all. We know about the attack on Pearl Harbor in 1941, but do we know how our parents and grandparents felt that day? How they coped with their fear and anxiety? Only if they told us, or wrote it down in letters and diaries.

  So here’s what I want you to do: tell your story. Better yet, write it down, so the ones who come after you have a record to go to when they wonder what 2020 was really like for people like you.

  Here are two good anthologies to show what I mean: Living on Covid Time and Alone Together. Take a look inside one or both and get inspired to jot down your own thoughts about this time in history. Your time. Because no one else can tell it like you can.

  If you’d like some company while you write, consider my memoir class starting March 3rd. I’ve been doing this for over 15 years. Sharing personal stories with others, crafting them into a work of art – for that’s what a good story is – is a great way to spend your time.

  To register or for more information, please contact Cindy Louden at 267-421-6203 or clouden@pearlsbuck.org.

  Have you started writing your pandemic story? Have you read a good one? Share it in the comments! And stay safe.

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  Posted in book, life stories, memoir, memoirs, Uncategorized, writers, writing | 2 Comments | Tagged covid-19, history, pandemic, stories, story

• WRITING, DRAWING, LOOKING, SEEING

  Posted at 10:43 am by lindawis, on June 3, 2020

  

  A few years ago, while hiking with a group along the cliffs of Cornwall, England, one woman in our party sat down at the end of every day with her sketchpad to draw the scene before her, a slight smile on her lips. I envied her. I never mastered anything beyond a simple flower, a sun, a little house. I admired her but didn’t take the time to observe her process.

  Our local art museum offers drawing classes, and at the beginning of this year, I decided to sign up. The pandemic ended that before it began but I found an online class at another museum. Every week, I follow a different lesson – landscape, perspective, portrait, still life. Guess what else I learned? I can draw! I suspect anyone can learn to draw, just like anyone can learn to write. Sure, the talented ones will do it best, but we can all learn to do something better than we did before.

  This week, my country is on fire with anger, sorrow, and despair. Because of the murder of yet another black American by police, systemic racism is once again forcing us to look, to see.

  When I started my drawing lessons, I was surprised at how much it was like learning to write. And now, how much it is like confronting racism. They all have these things in common:

  You have to look. Really look.

  When I write, I look for the details that will paint a picture in my readers’ minds. When I draw, I look at how a pine tree is different from an oak. This week, I don’t have to look far to see the pain black Americans are going through.

  It takes time.

  When I sat down to draw, I used my eraser a lot. Writers call that revision. We need to erase systemic racism from our society, and revise our perspective on our own place in it.  

  It takes practice.

  We will make mistakes. Sometimes I throw away an essay or a drawing and start over. Can white Americans like me own our mistakes and start over?

  It takes humility.

  I cringed when I found something I wrote twenty years ago. I thought it was good enough to submit for publication. It wasn’t. My first attempts at drawing are not for public view, but they got me started. This week I joined a group to read and discuss the book White Fragility: Why It’s So Hard for White People to Talk About Racism by Robin DiAngelo.

  Writing, drawing, looking – and maybe, finally, seeing. May it be so.

  How do you see the turmoil in our country these days? I’d love to hear, so leave your comments and I’ll put your name in the drawing for Toni Morrison’s novel, The Bluest Eye.

  The winner of last month’s drawing for Big Stone Gap by Adriana Trigiani is Karen Edwards. Congratulations, Karen, and thanks for sharing your thoughts.

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  Posted in art, drawing, mindfulness, pain, racism, writers, writing | 4 Comments | Tagged drawing, writing

• Behind the Scenes

  Posted at 11:37 am by lindawis, on March 2, 2020

  

  Curiosity is a writer’s best friend. Ask anyone who has researched a topic for a book, article or presentation. We are drawn to interesting stories, the ones that often come from behind the scene of an otherwise familiar setting.

  At a writing conference last year, author Colum McCann told the audience how it works for him. While doing background research for his novel, Dancer, he learned that ballet dancers hate the scene in The Nutcracker ballet when snowflakes begin falling onto the stage. “That fake snow is full of dirt and mouse poop,” they told him. “We can’t wait to wash our hair.” (I checked it out with my favorite ballerina, and it’s true.)

  McCann told us this story to show how a small authentic detail can convince readers you know what you’re writing about. It’s the “insider” information that makes your story believable. I have a few stories of my own.

  My neighbor works part-time at Kohl’s, where they are now accepting returns from Amazon orders. Want to return something? Drop it off at Kohl’s and they’ll send it back for you. But behind the scenes, my neighbor says, “there are piles of stuff, and nobody is doing anything about it. They can’t keep up with sending all that stuff back. Stupidest thing I ever heard of….”

  Long ago, I volunteered at a phone bank for a local candidate. “How does she stand on….?” the voter asked me over the phone. “Hang on,” I said, “I’ll find out for you.” Much to my naïve surprise, a staffer said, “If the voter is in favor of it, say yes, our candidate will vote yes. If the voter is not, say she’s looking into it.”

  In the dressing room for a fashion show for charity, I saw tattoos in surprising places. I know these people but I never saw those tattoos again. Neither did the audience.

  What do you know, from your work or personal life, that most people don’t? No names, please, we don’t want to embarrass anyone! Share your story in the comments and I’ll put your name in the drawing for a copy of This Book is Overdue! How Librarians and Cybrarians Can Save Us All.   

  The winner of last month’s drawing for Listening is an Act of Love is Cindy Louden. Congratulations, Cindy, and thanks for your comment!

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  Posted in book, Colum McCann, Nutcracker, writers, writing | 2 Comments | Tagged backstage, secrets

• Letting Go of Happy

  Posted at 12:55 pm by lindawis, on November 1, 2019

  

  The other day, I said to my husband, half-joking, “I’m going to be happy before I die, if it kills me!” For as long as I can remember, there’s been a little bit of sadness sitting in the back of my heart. I wanted it to go away. I read lots of self-help books and practiced gratitude. But then my book club scheduled a memoir I hadn’t picked up since college.

  Viktor Frankl’s Man’s Search for Meaning, describes the harrowing years he spent in Nazi concentration camps and the loss of his entire family, including his pregnant young wife. Not an optimist by nature, he still continued to write psychiatry texts while imprisoned and came to the conclusion that a good life is not necessarily a happy one.

  In college, I learned from his book that each of us is responsible for deciding the meaning of our lives, and that it doesn’t come from outside us. This time, so many years later, I understood much more: that a meaningful life has creativity, love and appreciation of beauty, and dignity in the face of suffering. It doesn’t have to be happy.

  Imagine being okay with that: not being happy.

  Imagine a world without books and webinars and lectures on how to feel good every day. Imagine there’s nothing wrong with you if your clothes don’t spark joy or you don’t have a Vision Board. Imagine not trying to be happy but just being glad when it happens anyway.

  Driving home on a sunny fall afternoon, I thought of my kids’ school days, and the struggles they went through. As their mother, I wanted them to be happy more than anything. But what made them the compassionate, self-sufficient men they are? The tough times when they were uncomfortably sad. Given the power today, I’d still smooth their road, and take away their pain if I could. But I’m haunted by the words of a heartbroken woman at the funeral of her young son who died of a drug overdose. “Feel your pain,” she implored his friends.

  In the novel I’m writing now, the main character will struggle mightily before she learns that a good bit of heartache opens up her world. It’s been true for me. I’ve had many years of joy, love, creativity and ease. But if I’d been as happy as I wanted to be, I doubt I’d know what empathy is. I doubt I’d have compassion. And I doubt I’d be able to handle the hard stuff of life.

  How about you? Would you choose, if you could, to be happy every day?

  Comment on this post and I’ll put your name in a drawing for The Heirs by Fran Hawthorne, a novel about buried guilt and family secrets.

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  Posted in anxiety, autumn, balance, book, compassion, Cultural memoirs, life stories, memoirs, pain, peace, philosophy, sons, suffering, writers | 14 Comments

• Toni Morrison and the “Woman’s Award”

  Posted at 12:35 pm by lindawis, on August 30, 2019

  

  My writing friends and I have been talking about Toni Morrison since her death early this month. Her influence on American letters is gigantic, and many have written about her effect on them personally. I have two small connections myself.

  As a docent at the historic home of author Pearl S. Buck, I point out her Nobel and Pulitzer prizes and say she was the only American woman to hold both awards for 55 years until Toni Morrison won the Nobel prize in 1993. What I don’t usually say, but might from now on, is that Morrison also received the Woman of the Year Award (now called the Women of Influence Award) from the Pearl Buck Foundation (now Pearl S. Buck International) in 1994.

  In her acceptance speech, Morrison said that after reading Buck’s work, she was disappointed to find the honesty and empathy with which Buck wrote about other cultures was not common in American novels. She decided to “fill the void,” she said, remarking with a bit of humor: ‘I’m grateful to her for misleading me in a sense.”

  Pearl Buck wrote what she knew: the culture and lives of the people of China in the early twentieth century. Morrison did likewise, becoming one of the foremost writers on the lives of African Americans. From The Bluest Eye to God Help the Child, she was fearless in portraying the consequences of racism. The long list of her awards on Wikipedia does not mention the Pearl Buck Woman of the Year. A local newspaper at the time called it the Pearl S. Buck Woman’s Award.

  I like the fact that Morrison came in person to accept it, and signed books, programs and even slips of paper for admirers who waited in long lines to meet her. I wish I had been there.

  I saw her in person once, on a street corner in Princeton, New Jersey. The light changed and I started to cross the street when she sailed toward me, unmistakable in salt and pepper dreadlocks and a sweeping long caftan, a half smile on her lips. “That’s Toni Morrison,” I whispered to my husband beside me. She disappeared into the crowd before I could think of something good enough to say.    

  I never met Pearl Buck either, but it helps me to remember how hard they both worked to get it right, and how they tried to find out what they didn’t know so the rest of us could benefit from their stories, and see ourselves in their characters. A good writer transcends time and place and brings us together. 

  What about you? Have you ever been struck speechless by someone you admired? Let us know in the comments section. I’d love to hear!

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  Posted in book, ethnicity, fiction, novel, Uncategorized, writers, writing | 0 Comments | Tagged Pearl Buck, Toni Morrison, writing

• Big Girl Pants

  Posted at 2:26 pm by lindawis, on July 25, 2018

  

  Photo by Burst on Pexels.com

  It was raining lightly when I got to the Borough Hall Station. I saw the sign on the street; all I needed was to find the entrance. People walked snappily by, like they knew where to go, and I wanted to look that way too.

  When I was young, New York City was my dream place to live and work, the apex of my career girl life. In the 1960s, we called grown women girls and didn’t think anything of it. You could count the career girls in my upstate New York mill town on two hands: teachers, nurses, one doctor. Was a “private secretary” a career girl? My parents wanted me to go to Mildred Elley Secretarial School in Schenectady. But like Richard Russo’s mom, who lived in a nearby town, I longed to be Elsewhere.

  It took a while. After college, there were business trips to midtown on the train to and from Philly, and whole days in big convention hotels with other librarians. Post-career now, I write and teach. I want to write well, to learn how it’s done, and so I travel to writing conferences in the literary city, sophistication town, like the big girl I want to be.

  Sometimes I’m still the scared Catholic schoolgirl inside, remaking herself late in life. After two times crossing the street in drizzle, I found the subway staircase from the street. A young black man held a door for me as I deliberately stepped down. I thanked him, pleased that of all the busy people, he stopped for me, because he saw me looking uncertain. My son who lives in Brooklyn said, take the 2 train uptown, it’s best, to Times Square, then the 1 right across the platform to 50^th Street. On the 2, a young Hispanic woman offered me her seat. I smiled no thanks, then saw the sign: Please give seat to the elderly or disabled. Okay, fair enough. I feel slow, unsure, and frazzled by the rain, the confusion, the tangle of people in every direction. My son was right; I got off the 2 and the 1 was right across from me, waiting. It all seemed to work for me that day. It has to, my son’s girlfriend says, in a city this big you have to be civil.

  At 50^th, I walked upstairs and took out my foldout laminated map, walked to 6^th between 53^rd and 54^th  and laughed as I spotted my conference hotel.

  People around me paid no attention. Cars, buses, and taxis clattered by. Storefronts glittered, the rain stopped, and my heart lifted like the red one on the T-shirt I refused to buy because it’s too tourist hokey. I heart NY. I really do.

  *********************************************************************************

  Have you done something you were scared to try? Big or small, share it in the comments and I’ll put your name in the hat for a copy of Styx and Stone: an Ellie Stone mystery by James W. Ziskin. Ellie is a career girl in 1960s New Holland, New York, a thinly disguised version of my home town of Amsterdam, who travels to New York City.

  **********************************************************************************

  The winner of this month’s drawing is Cheryl. She gets a signed copy of Dorothea Benton Frank’s By Invitation Only.  Visit her terrific blog, Mind Kind Mom. Congratulations, Cheryl, and thanks for your comment last month!

   

   

   

   

   

   

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  Posted in Amsterdam, anxiety, book, conference, elderly, feminism, fiction, memoir, NY, writers, writing | 10 Comments | Tagged aging, Amsterdam, anxiety, memoir, NY, society, writers, writing

• The Space Between Stories

  Posted at 5:02 pm by lindawis, on February 24, 2018

  

  I’ve heard that writers write to make sense of the world. That’s certainly been true for me. And yet, the world seems to have become even less understandable over my lifetime. Aren’t we supposed to become wiser with age? What is the reason for the interpersonal division in our country? We seem to be on ever more opposing wavelengths.  We can’t even talk to people we disagree with without insulting them, in person or online, so we mostly just give up.

  Author and speaker Charles Eisenstein says our world looks so crazy because  we are in “the space between stories.” The old story said our society was sound, our ecology was fine and our economy was just. But that old story is falling apart, and many of us are afraid. We want to go back , when life was safe, stable. As progressive as we like to think we are, a friend and I recently shared a longing for the “old days” when folks aspired to work in a shoe store or deliver milk on a truck. It feels as if the world is falling apart around us. We feel alienated, unsure of our place. We are in what Eisenstein calls “a period of true unknowing.”

  We are between stories.

  Who knows what the next story will be? I am hoping for one called “We Are All In This Together.”

  Many of us have rejected the old duality of this or that, one or the other, Republican or Democrat, us or them, liberal or conservative, male or female, East or West, cat people or dog people….okay, just kidding. But really, haven’t you noticed the breakdown of the old story? The old roles bind us no more. Women are now empowered in fiction and movies, men in the programs we watch are stay at home dads with real feelings, and even gender can be fluid. Voters give up, feeling alienated from our leaders. Young people are calling BS. We’re all restless, looking for a new story to explain our place in the world.

  “We are the one’s we’ve been waiting for,” said the poet June Jordan, the author Alice Walker, and the lyrics of a song by Sweet Honey in the Rock.

  Looking for signs of the new story gives me comfort. Maybe this is the time I was meant to be alive. What do you think? Are we really “in the space between stories?” Do you like that idea?

  Comment on this blog and I’ll put your name in the hat for an autographed copy of Miller’s Valley by Anna Quindlen. Set in a small town in the 1960s, it’s the story of every woman who has had to leave home to find herself.

  *************************************************

  The winner of this month’s drawing is  suppressionisminart. She wins a hardcover copy of The Moment of Truth by Damian McNicholl, the tale of an American female bullfighter who travels to Mexico to follow her dream, a great example of the story for women.  Congratulations!

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  Posted in anxiety, book, feminism, philosophy, simplicity, Waiting, writers | 12 Comments | Tagged society, writing

• The In Between Time

  Posted at 3:53 pm by lindawis, on December 28, 2017

  

  This is the week in the year when I feel most in-between.  Thanksgiving and Christmas are over and a New Year waits in the wings. I feel like the director of a play in which I hold back the actors for just another moment. Not yet, it’s not quite time, we’re not ready, please wait.

  This is the week I launder the tablecloths from Christmas dinner, recycle dented gift boxes and toss out leftovers nobody wants to eat. It’s the week to relax and enjoy the pile of new books I received and to binge watch The Crown and A Place to Call Home, an Australian drama my husband and I both love. We’re both retired from our careers and enjoy artistic pursuits and volunteer work, but this week even those things take a back seat to just lounging and reflecting, reading…and eating.

  As a writer of creative nonfiction, I’m a “reflector” by trade. This in-between time seems made for me. No rush, nowhere I have to go. I’m preparing for a party in the New Year, but even that feels relaxed, checking if we have enough wine, beer, plastic ware and ice.

  I journal every day, but this week I read about other people doing the same. The newspapers, internet, and even TV all offer stories about new resolutions and looking back. It’s quite a lot of pressure to do something.

  But not right now. I took a year off from teaching to finish my first novel. The second one is outlined, but I just can’t get into it yet. I have a new memoirs class coming up in March, so I need to plan. I’ve published four essays this year, and I’d like to write more. I finished editing A Woman of Worth, a project I’d been working on for a couple of years.  I have an idea for another book-length memoir. But none of these projects is calling me right now.

  I could be anxious about that, but I feel lucky I can stay here a while. The kids are grown and living their own lives. Whatever I choose to do or not do is up to me. The weather is freezing cold and we’re in between snow storms here in southeastern PA. I know another one is coming but we’re not sure when.

  So, this is the week I ignore the inner urge to “do something productive.” I read over the Christmas cards and newsletters, remember the leisurely conversations shared with family and friends by the fireplace, and allow gratitude for the love, warmth and companionship that graces this time of year.

  There is a certain pressure to make a “to do” list for 2018. I know I work best when I choose one project to put most of my energy behind. This in between week feels a bit uneasy, but I’m going to stick with it. If we hurtle from project to project, we don’t fully appreciate what we’ve accomplished. We don’t allow ourselves to enjoy having written, being published, hosting a dinner party, receiving gifts. I’ll meditate every day and let myself off the hook for productivity for now.

  What about you? What do you do when you’re not sure what to do next?

  Comment and I’ll put your name in the drawing for my next giveaway: The Promise of Pierson Orchard by Kate Brandes.  Written by an environmental scientist, it’s the story of what happens when fracking comes to a rural community, told through the eyes of a family already breaking apart. Speaking of what to do next! You’re sure to enjoy this balanced look at both sides of the environmental debate.

  **********

  The winner of last month’s drawing is Nannette Benson-Nicol. She gets an autographed copy of An Uncertain Path by Sandra Carey Cody. Congratulations, Nannette!

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  Posted in anxiety, balance, book, compassion, fiction, home, memoir, novel, philosophy, simplicity, Uncategorized, Waiting, winter, writers, writing | 16 Comments | Tagged anxiety, home, lifestyle, memoir, writers, writing

• Time Enough

  Posted at 3:48 pm by lindawis, on October 23, 2017

  

   

  Seventeen years ago this fall, I collected acorns from my driveway and put them in my pocket as symbols of rebirth. When I entered the hospital for major surgery, I took the acorns with me, as well as these affirmations for the surgeon: “I am very pleased with this operation.” “Linda’s surgery is a big success.” “Linda will heal quickly.”

  He was, it was and I did. Life went on, as it does, and I got older. A big birthday last year jolted me into a state of anxious rumination. Had I done enough with my life? Short answer: No. So, what’s an older woman to do? I journaled and pulled my spiritual reading off the shelf. I started a new spiritual practice, lighting a candle and reading something inspirational, then journaling about it for 20 minutes, first thing in the morning.

  That year of rumination is almost up, and I’m pleased to say the anxiety is going away, albeit slowly. Somehow, I realized I had done quite a lot. That the years I remembered as preoccupied, worried, angry or scared were my learning time. The twenty years since I began writing about my life have been my practice time. Some of my work was published, much of it not. Some of my time was spent writing, much of it not.

  Yesterday, after an outside appointment, I thought of stopping to pick up some birdseed, or to spend that coupon from the clothing store, or maybe pick up a latte. But my writing had taken over part of my mind and so I drove straight home and sat down at my desk.

  One reason I’m motivated to write these days is the example of other women like myself. Women like romantic suspense author Alice Orr. Her latest novel, A Time of Fear and Loving, is the fifth in her Riverton Road series. I met Alice through the International Women’s Writing Guild. She is a former book editor and literary agent who suggested I turn my complicated first novel into a trilogy, advice I am happy to say I am following.

  Alice is the author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. She is a mother and grandmother, and she’s not letting the passage of time get in her way.

  I hadn’t read romantic suspense since I was in my twenties, but reading Alice’s work reminds me how much I loved this genre. I was pleasantly surprised to find her series is set in the North Country, the beautiful part of upstate New York near the river town where I was born and raised. In this latest book, a young widow investigates the disappearance of her old friend and soon runs into a long ago crush who is now a police officer with his own issues from serving in Afghanistan.

  So, here’s the question: how does the passage of time affect you? Do you ignore it? Do you use it to motivate you? Something else? Comment on this post and I’ll put your name in the hat to win a signed copy of A Time of Fear and Loving.

  I’d love to read your thoughts.

  The winner of last month’s drawing is Susan Schoch.  I’m sending her my copy of Dorothea Benton Frank’s Pawley’s Island.

   

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  Posted in anxiety, autumn, book, fiction, NY, writers, writing | 15 Comments

• One Thing At a Time

  Posted at 3:16 pm by lindawis, on March 31, 2016

   

  

  photo credit: Wojtek Witkowski at Unsplash.com

  Writer Louise DeSalvo has been a favorite of mine ever since I picked up her memoir, Vertigo. Because I love to read, write and teach memoir, I recommend her work and delve back into it for my classes. Writing as a Way of Healing and The Art of Slow Writing are two treasure troves of advice, quotes and tips from famous and successful authors as well as very personal anecdotes and helpful encouragement from DeSalvo herself. For the past ten years, her words have kept me going when I needed a friendly push to keep telling my own story.

  Often, I find my mind spinning with ideas. I have a hard time deciding which one to focus on. Which writing project best deserves my attention? Which is a waste of time? I don’t know. I want to know. Ahead of time, before I even write it.

  The next novel, a short story, a personal essay? I have files of unfinished pieces. I open one and get bored with it before I finish reading the entire draft. I reach for Slow Writing. I flip to a highlighted page. “In writing, it doesn’t matter what you choose to do; it only matters that you choose to do something.” Yes, but isn’t there a best thing to write today? Apparently not, or at least, there’s no way to know what that ‘best’ thing is. Like meditation, just sitting down and doing the practice is the answer.  I know from experience that the “best” way to meditate is to just do it. Let the crazy thoughts fly in and out and focus on your breath or mantra. In writing, DeSalvo says it works best if she focuses on one decision at a time. Write five hundred words. Develop the characters. Add details. Line edit word by word.And so on. One thing at a time. I can do this.

  DeSalvo says it gets easier with practice and I believe her. Because most things do. Meditating. Exercising. Healthy eating. Cooking. Why not writing?

  What about you? Do you have a book of writing advice you love? What do you do when you can’t decide what to write?

   

   

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  Posted in anxiety, balance, book, memoir, simplicity, vertigo, writers, writing | 6 Comments | Tagged Louise DeSalvo, writing

• Publish Before I Perish

  Posted at 9:14 am by lindawis, on July 18, 2011

  
  
  I’ve been working on my novel for several years now; I have lost count of how many years exactly. At workshops given by experienced novelists, I always learn something that will make my story better. I love the process of adding subtext, developing characters, and using place mini-crises to move the plot forward. But some days, like today, I allow myself to feel discouraged by all I have to do before I am finished.

  Because I read writers’ newsletters, blogs and social network posts, I know many authors are churning out thousands of words a day, publishing their exciting novels, meeting with agents…and I wonder if I am too slow. Will I ever be ready to say “it’s done?” Will I live that long?

  Although I’ve always loved to write, it was only after my fiftieth birthday I began to take my writing seriously, to send my work out into the world, to make money from it. Feature stories for the local paper, magazine articles and personal essays take me hours, days, weeks to complete. I don’t think it has anything to do with perfection. I just want my work to be the best it can be.

  Some Monday mornings, it seems I’ll perish before I publish my first novel, which may well be my only novel. I can’t just throw it out there, unvarnished, not when I know better. The only thing to do, I guess, is to get back to work.

  Let me know if you find an easier way. Please.

  

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  Posted in novel, writers, writing | 3 Comments

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  • It’s Just Christmas December 10, 2020
  • The World in Rehab November 5, 2020
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